Archeology of Occupancy
Megan Zieth
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This question drastically awoke in me during my time on construction sites. There was an ephemeral, honest beauty to the concealed scenes fabricating spaces we implicitly occupy, and I began to notice evidence left behind from the process. Viewing imperfections on a finish to signify the human hand, and adopting a perspective that examines infrastructure as sculpture.
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Design Brief
Manifested through design research and material practice Archeology of Occupancy interrogates expectations and prescribed values surrounding materiality by translating evidence of human activity into a visual syntax. The abstract imprints that compose material memory reflect a unique interpretation of the past, possessing the ability to remember interactions our minds often forget.
To celebrating such signatures, Archeology of Occupancy builds on this poetic premise at a scale individuals can connect with. To merge concept and form, action becomes quantifiable using the gesture of adjustment.
Transmuted through the pivot point of a direct light, a contingent language is scribed above. Independently lit, this surface becomes a transformative filter promoting the beauty of ware while also drawing connections between humanity and materiality.
Key Terms
Contemporary Archeology
Beauty of the Everyday
Material Memory
Narrative
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Witness the moment imperfections become elegant characteristics appointing value to wear and tare by looking at it through an archeological lens.
Standing six and a half feet tall the silhouette hints at an abstract representation of a building, reinforcing its position within the context of its formulation. In the core of the structure, a hand-cast concrete ball transmutes actions of adjusting the lower light into unique signatures illuminating hidden narratives of the everyday.
Critical thought and conceptual thinking is cumulated into a communicative, propositional piece with a presence that encourages discourse regarding material value, the narrative capabilities of ware and tare, as well as assumed roles surrounding industrial fabrication processes.
From here, a possible direction for this design concept and its function could be the progression of a systemized, accessible form, promoting the ideologies of material memory and valuing imperfections using designed methods to share and expand upon unique languages carved from the gestures of others.
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